1998 Grammy Award Winners |
Trivia
|
1998 Grammy Winners |
| Record of the Year: Sunny Came Home – Shawn Colvin |
| Album of the Year: Time Out of Mind – Bob Dylan (Columbia Records) |
| Song of the Year: Sunny Came Home – Shawn Colvin and John Leventhal, songwriters |
| New Artist: Paula Cole |
| Female Pop Vocal: Building a Mystery – Sarah McLachlan |
| Male Pop Vocal: Candle in the Wind 1997 – Elton John |
| Pop Duo or Group with Vocals: Virtual Insanity – Jamiroquai |
| Pop Collaboration with Vocals: Don’t Look Back – John Lee Hooker with Van Morrison |
| Pop Instrumental: Last Dance – Sarah McLachlan |
| Dance Recording: Carry On – Donna Summer and Giorgio Moroder |
| Pop Album: Hourglass – James Taylor (Columbia Records) |
| Traditional Pop Album: Tony Bennett on Holiday – Tony Bennett |
| Female Rock Vocal: Criminal – Fiona Apple |
| Male Rock Vocal: Cold Irons Bound – Bob Dylan |
| Rock Duo or Group with Vocals: One Headlight – the Wallflowers |
| Hard Rock: The End Is the Beginning Is the End – the Smashing Pumpkins |
| Metal: Ænima – Tool |
| Rock Instrumental: Block Rockin’ Beats – the Chemical Brothers |
| Rock Song: One Headlight – Jakob Dylan, songwriter |
| Rock Album: Blue Moon Swamp – John Fogerty (Warner Bros. Records) |
| Alternative Album: OK Computer – Radiohead |
| Female R&B Vocal: On and On – Erykah Badu |
| Male R&B Vocal: I Believe I Can Fly – R. Kelly |
| R&B Duo or Group with Vocals: No Diggity – Blackstreet |
| R&B Song: I Believe I Can Fly – R. Kelly, songwriter |
| R&B Album: Baduizm – Erykah Badu (Kedar/Universal Records) |
| Rap Solo: Men in Black – Will Smith |
| Rap Duo or Group: I’ll Be Missing You – Puff Daddy and Faith Evans featuring 112 |
| Rap Album: No Way Out – Puff Daddy and the Family |
| Female Country Vocal: How Do I Live – Trisha Yearwood |
| Male Country Vocal: Pretty Little Adriana – Vince Gill |
| Country Duo or Group with Vocals: Looking in the Eyes of Love – Alison Krauss and Union Station |
| Country Collaboration with Vocals: In Another’s Eyes – Trisha Yearwood and Garth Brooks |
| Country Instrumental: Little Liza Jane – Alison Krauss and Union Station |
| Country Song: Butterfly Kisses – Bob Carlisle and Randy Thomas, songwriters |
| Country Album: Unchained – Johnny Cash (American Records) |
| Bluegrass Album: So Long So Wrong – Alison Krauss and Union Station (Rounder Records) |
| New Age Album: Oracle – Michael Hedges (Windham Hill Records) |
| Contemporary Jazz: Into the Sun – Randy Brecker |
| Jazz Vocal: Dear Ella – Dee Dee Bridgewater |
| Jazz Instrumental, Solo: Stardust – Doc Cheatham and Nicholas Payton |
| Jazz Instrumental, Individual or Group: Beyond the Missouri Sky – Charlie Haden and Pat Metheny (Verve Records) |
| Large Jazz Ensemble: Joe Henderson Big Band – Joe Henderson Big Band |
| Latin Jazz: Habana – Roy Hargrove’s Crisol |
| Rock Gospel Album: Welcome to the Freak Show: dc Talk Live in Concert – dc Talk (ForeFront Records) |
| Pop/Contemporary Gospel Album: Much Afraid – Jars of Clay (Silvertone/Essential Records) |
| Southern Gospel, Country Gospel or Bluegrass Gospel Album: Amazing Grace 2: A Country Salute to Gospel – various artists (Sparrow Records) |
| Traditional Soul Gospel Album: I Couldn’t Hear Nobody Pray – the Fairfield Four (Warner Bros. Records Nashville) |
| Contemporary Soul Gospel Album: Brothers – Take 6 (Warner Alliance Records) |
| Gospel Album by a Choir or Chorus: God’s Property From Kirk Franklin’s Nu Nation – God’s Property; Kirk Franklin, Choir Director (B’Rite Music) |
| Latin Pop: Romances – Luis Miguel |
| Latin Rock/Alternative: Fabulosos Calavera – Los Fabulosos Cadillacs |
| Tropical Latin: Buena Vista Social Club – Ry Cooder |
| Mexican-American/Tejano: En Tus Manos – La Mafia |
| Traditional Blues: Don’t Look Back – John Lee Hooker (Pointblank/Virgin Records America) |
| Contemporary Blues: Senor Blues – Taj Mahal (Private Music) |
| Traditional Folk: L’Amour ou la Folie – BeauSoleil (Rhino Records) |
| Contemporary Folk: Time Out of Mind – Bob Dylan (Columbia Records) |
| Reggae Album: Fallen is Babylon – Ziggy Marley and the Melody Makers (Elektra Records/EEG) |
| World Music Album: Nascimento – Milton Nascimento (Warner Bros. Records) |
| Polka Album: Living on Polka Time, Jimmy Sturr (Rounder Records) |
| Musical Album for Children: All Aboard! – John Denver (Sony Wonder Records) |
| Spoken Word Album for Children: Winnie-The-Pooh – Charles Kuralt (Penguin Audiobooks) |
| Spoken Word or Non-Musical Album: Charles Kuralt’s Spring – Charles Kuralt (Simon and Schuster Audioworks) |
| Spoken Comedy Album: Roll With the New – Chris Rock (DreamWorks Records) |
| Musical Show Album: Chicago: the Musical (RCA Victor) |
| Instrumental Composition: Aung San Suu Kyi – Wayne Shorter, Composer |
| Instrumental Composition for a Motion Picture or for Television: The English Patient – Gabriel Yared, Composer |
| Song Written Specifically for a Motion Picture or for Television: I Believe I Can Fly (from Space Jam) – R. Kelly, songwriter |
| Instrumental Arrangement: Straight, No Chaser – Bill Holman, arranger |
| Instrumental Arrangement with Accompanying Vocals: Cotton Tail – Slide Hampton, arranger |
| Best Recording Package: Various Artists: Titanic?Music as Heard on the Fateful Voyage – Hugh Brown, Al Q., and Jeff Smith, art directors (Rhino Records) |
| Best Recording Package Boxed: Various Artists: Beg, Scream and Shout! The Big Ol’ Box of ’60s Soul – Hugh Brown,David Gorman and Rachel Gutek, art directors (Rhino Records) |
| Best Album Notes: Various Artists: Anthology of American Folk Music (1997 Edition Expanded) – John Fahey, Luis Kemnitzer, Joh Pankake, Chuck Pirtle, Jeff Place, Neil V. Rosenberg, Luc Sante, Peter Stampfel and Eric Von Schmidt, album notes writers |
| Historical Album: Anthology of American Folk Music (1997 Edition Expanded) (Smithsonian Folkways Recordings) |
| Best-Engineered Album – Non-Classical: James Taylor: Hourglass – Frank Filipetti, engineer (Columbia Records) |
| Producer: Babyface |
| Remixer: Frankie Knuckles |
| Best-Engineered Album – Classical: Copland: The Music of America – Michael Bishop and Jack Renner, engineers |
| Classical Producer: Steven Epstein |
| Classical Album: Premieres: Cello Concertos (Works of Danielpour, Kirchner, Rouse) – Philadelphia Orchestra (Sony Classical) |
| Orchestral: Berlioz: Symphonie Fantastique; Tristia – Pierre Boulez conducting the Cleveland Orchestra and Chorus (Deutsche Grammophon) |
| Opera: Wagner: Die Meistersinger von Nurnberg – Sir Georg Solti conducting the Chicago Symphony Orchestra and Chorus (London Records) |
| Choral: Adams: Harmonium/Rachmaninoff: The Bells – Robert Shaw, conductor (Telarc): |
| Instrumental Soloist with Orchestra: Premieres: Cello Concertos (Works of Danielpour, Kirchner, Rouse) – Yo-Yo Ma, violoncello; David Zinman, conductor |
| Instrumental Soloist without Orchestra: Bach: Suites for Solo Cello Nos. 1-6 – Janos Starker, cello |
| Chamber Music: Beethoven: The String Quartets, Emerson String Quartet |
| Small Ensemble Performance (with or without Conductor): Hindemith: Kammermusik No. 1 With Finale 1921, Op. 24 No. 1 – Claudio Abbado conducting members of the Berliner Philharmonic |
| Classical Vocal: An Italian Songbook (Works of Bellini, Donizetti, Rossini) – Cecilia Bartoli |
| Classical Contemporary Composition: Adams: El Dorado – John Adams, Composer |
| Music Video, Short Form: Got ‘Till It’s Gone – Janet Jackson; Mark Romanek and Aris McGarry, video directors |
| Music Video, Long Form: Alanis Morissette: Jagged Little Pill – Live, Alanis Morissette and Steve Purcell, video directors |
| Music Video, Short Form: Ray of Light – Jonas Akerlund, video director |
| Music Video, Long Form: American Masters: Lou Reed: Rock and Roll Heart – Timothy Greenfield-Sanders, video director |
