
1996 Grammy Award Winners |
Trivia
|
1996 Grammy Winners |
| Album of the Year: Jagged Little Pill, Alanis Morissette (Maverick/Reprise) |
| Song of the Year: Kiss From a Rose – Seal, songwriter |
| Best New Artist: Hootie and the Blowfish |
| Best Pop Vocal Performance, Male: Kiss From a Rose – Seal |
| Best Pop Vocal Performance, Female: No More `I Love You’s – Annie Lennox |
| Best Pop Performance By a Duo or Group With Vocal: Let Her Cry – Hootie and the Blowfish |
| Best Traditional Pop Vocal Performance: Duets II – Frank Sinatra |
| Best Pop Instrumental Performance: Mariachi Suite – Los Lobos |
| Best Pop Vocal Collaboration: Have I Told You Lately That I Love You? – The Chieftains with Van Morrison |
| Best Pop Album: Turbulent Indigo, Joni Mitchell (Reprise) |
| Best Rock Album: Jagged Little Pill, Alanis Morissette (Maverick/Reprise) |
| Best Rock Gospel Album: Lesson of Love, Ashley Cleveland (Reunion) |
| Best Rock Song: You Oughta Know – Glen Ballard and Alanis Morissette, songwriters |
| Best Rock Vocal Performance, Male: You Don’t Know How It Feels – Tom Petty |
| Best Rock Vocal Performance, Female: You Oughta Know – Alanis Morissette |
| Best Rock Performance By a Duo or Group With Vocal: Run-Around – Blues Traveler |
| Best Rock Instrumental Performance: Jessica – The Allman Brothers Band |
| Best Hard Rock Performance: Spin the Black Circle – Pearl Jam |
| Best Metal Performance: Happiness Is Slavery – Nine Inch Nails |
| Best Alternative Music Performance: MTV Unplugged in New York, Nirvana (DGC) |
| Best Rhythm and Blues Album: CrazySexyCool, TLC (LaFace Records) |
| Best Rhythm and Blues Song: For Your Love – Stevie Wonder, songwriter |
| Best Rhythm and Blues Vocal Performance, Male: For Your Love – Stevie Wonder |
| Best Rhythm and Blues Vocal Performance, Female: I Apologize – Anita Baker |
| Best Rhythm and Blues Performance By a Duo or Group With Vocal: Creep – TLC |
| Best Rap Album: Poverty’s Paradise, Naughty by Nature (Tommy Boy) |
| Best Rap Solo Performance: Gangsta’s Paradise – Coolio |
| Best Rap Performance By a Duo or Group: I’ll Be There for You /You’re All I Need to Get By – Method Man/Mary J. Blige |
| Best Jazz Vocal Performance: An Evening With Lena Horne – Lena Horne |
| Best Jazz Instrumental Solo: Impressions – Michael Brecker |
| Best Jazz Instrumental Performance, Individual or Group: Infinity – McCoy Tyner Trio featuring Michael Brecker |
| Best Contemporary Jazz Performance: We Live Here – Pat Metheny Group |
| Best Large Jazz Ensemble Performance: All Blues – GRP All-Star Big Band and Tom Scott |
| Best Latin Jazz Performance: Antônio Brasileiro – Antônio Carlos Jobim |
| Best Country Album: The Woman in Me, Shania Twain (Mercury Nashville) |
| Best Country Song: Go Rest High on That Mountain – Vince Gill, songwriter |
| Best Country Vocal Performance, Male: Go Rest High on That Mountain – Vince Gill |
| Best Country Vocal Performance, Female: Baby, Now That I’ve Found You – Alison Krauss |
| Best Country Performance By a Duo or Group With Vocal: Here Comes the Rain – The Mavericks |
| Best Country Vocal Collaboration: Somewhere in the Vicinity of the Heart – Shenandoah with Alison Krauss |
| Best Country Instrumental Performance: Hightower – Asleep at the Wheel featuring Bela Fleck and Johnny Gimble |
| Best Bluegrass Album: Unleashed, The Nashville Bluegrass Band (Sugar Hill) |
| Best Traditional Soul Gospel Album: Shirley Caesar Live He Will Come, Shirley Caesar (Word) |
| Best Contemporary Soul Gospel Album: Alone in His Presence, CeCe Winans (Sparrow Communications Group) |
| Best Pop/Contemporary Gospel Album: I’ll Lead You Home, Michael W. Smith (Reunion) |
| Best Rock Gospel Album: Lesson of Love, Ashley Cleveland (Reunion) |
| Best Southern Gospel, Country Gospel or Bluegrass Gospel Album: Amazing Grace – A Country Salute to Gospel, various artists (Sparrow Communications Group) |
| Best Gospel Album By a Choir or Chorus: Praise Him… Live!, The Brooklyn Tabernacle Choir (Warner Alliance) |
| Best Latin Pop Performance: Amor – Jon Secada |
| Best Tropical Latin Performance: Abriendo Puertas – Gloria Estefan |
| Best Mexican-American Performance: Flaco Jimenez – Flaco Jimenez |
| Best Traditional Blues Album: Chill Out, John Lee Hooker (Point-Blank) |
| Best Contemporary Blues Album: Slippin’ In, Buddy Guy (Silvertone) |
| Best Traditional Folk Album: South Coast, Ramblin’ Jack Elliott (Red House) |
| Best Contemporary Folk Album: Wrecking Ball, Emmylou Harris (Asylum/Elektra) |
| Best Reggae Album: Boombastic, Shaggy (Virgin) |
| Best New Age Album: Forest, George Winston |
| Best World Music Album: Bohème, Deep Forest (Windham Hill) |
| Best Polka Album: I Love to Polka, Jimmy Sturr (Rounder) |
| Best Instrumental Arrangement: Lament – Robert Farnon, arranger |
| Best Instrumental Arrangement With Accompanying Vocal(s): I Get a Kick out of You – Rob McConnell, arranger |
| Best Instrumental Composition: A View From the Side – Bill Holman |
| Best Musical Show Album: Smokey Joe’s Cafe – The Songs of Leiber and Stoller, Jerry Leiber, lyricist; Mike Stoller, composer (Atlantic Theater) |
| Best Instrumental Composition Written for a Motion Picture or for Television: Crimson Tide – Hans Zimmer, composer |
| Best Song Written Specifically for a Motion Picture or for Television: Colors of the Wind (From Pocahontas), Alan Menken and Stephen Schwartz, songwriters |
| Best Classical Contemporary Composition: Messiaen: Concert a Quatre – Olivier Messiaen, composer |
| Best Classical Album: Debussy: La Mer; Nocturnes; Jeux, etc. Pierre Boulez conducting the Cleveland Orchestra (Deutsche Grammophon) |
| Best Chamber Music Performance: Brahms/Beethoven/Mozart: Clarinet Trios, Emanuel Ax, piano; Yo-Yo Ma, cello; Richard Stoltzman, clarinet |
| Best Classical Performance, Instrumental Soloist(s) (With Orchestra): The American Album (Works of Bernstein, Barber, Foss), Itzhak Perlman, violin (EMI Classics) |
| Best Classical Performance, Instrumental Soloist(s) (Without Orchestra): Schubert: Piano Sonatas (B-Flat Major and A Major), Radu Lupu, piano (London Records) |
| Best Orchestral Performance: Debussy: La Mer, Nocturnes; Jeux, etc., Pierre Boulez conducting the Cleveland Orchestra (Deutsche Grammophon) |
| Best Opera Recording: Berlioz: Les Troyens, Charles Dutoit conducting the Orchestre Symphonie de Montreal |
| Best Performance of a Choral Work: Brahms: Ein Deutsches Requiem, Herbert Blomstedt conducting San Francisco Symphony, San Francisco Symphony Chorus and various artists |
| Best Classical Vocal Performance: The Echoing Air – The Music of Henry Purcell (If Music Be the Food of Love; Sweeter Than Roses, etc.), Sylvia McNair, soprano |
| Best Spoken Comedy Album: Crank Calls, Jonathan Winters (Audio Select) |
| Best Spoken Word or Non-Musical Album: Phenomenal Woman, Maya Angelou (Random House Audio Books) |
| Best Musical Album for Children: Sleepy Time Lullabys, Barbara Bailey Hutchison (Jaba) |
| Best Spoken Word Album for Children: Prokofiev: Peter and the Wolf, Patrick Stewart (Erato) |
| Best Recording Package: Turbulent Indigo, Robbie Cavolina and Joni Mitchell, art directors (Reprise) |
| Best Recording Package – Boxed: Civilization Phaze III, Frank Zappa and Gail Zappa, art directors (Barking Pumpkin) |
| Best Album Notes: The Complete Stax/Volt Soul Singles, Volume 3: 1972 – 1975, Rob Bowman, album notes writer (Stax) |
| Best Historical Album: The Heifetz Collection (RCA Victor Gold Seal) |
| Best Music Video, Short Form: Scream – Michael Jackson and Janet Jackson |
| Best Music Video, Long Form: Secret World Live – Peter Gabriel |
| Best Engineered Album (Non-Classical): Wildflowers, Dave Bianco, Richard Dodd, Stephen McLaughlin and Jim Scott, engineers (Warner Bros.) |
| Best Classical Engineered Recording: Bartók: Concerto for Orchestra/Kossuth: Symphonic Poem, Michael Mailes and Jonathan Stokes, engineers (London Records) |
| Producer of the Year (Non-Classical): Babyface |
| Classical Producer of the Year: Steven Epstein |








