1995 Grammy Award Winners |
Trivia
|
1995 Grammy Winners |
| Record of the Year: All I Wanna Do – Sheryl Crow |
| Album of the Year: MTV Unplugged, Tony Bennett (Columbia) |
| Song of the Year: Streets of Philadelphia (Theme from Philadelphia), Bruce Springsteen, songwriter |
| Best New Artist: Sheryl Crow |
| Best Pop Vocal Performance, Male: Can You Feel the Love Tonight – Elton John |
| Best Pop Vocal Performance, Female: All I Wanna Do – Sheryl Crow |
| Best Pop Performance By a Duo or Group With Vocal: I Swear – All-4-One |
| Best Traditional Pop Vocal Performance: MTV Unplugged, Tony Bennett |
| Best Pop Instrumental Performance: Cruisin’ – Booker T and the MG’s |
| Best Pop Vocal Collaboration: Funny How Time Slips Away – Al Green and Lyle Lovett |
| Best Pop Album: Longing in Their Hearts, Bonnie Raitt (Capitol) |
| Best Rock Album: Voodoo Lounge, The Rolling Stones (Virgin) |
| Best Rock Gospel Album: Wake-Up Call, Petra (Dayspring) |
| Best Rock Song: Streets of Philadelphia – Bruce Springsteen, songwriter |
| Best Rock Vocal Performance, Male: Streets of Philadelphia – Bruce Springsteen |
| Best Rock Vocal Performance, Female: Come to My Window – Melissa Etheridge |
| Best Rock Performance By a Duo or Group With Vocal: Crazy – Aerosmith |
| Best Rock Instrumental Performance: Marooned – Pink Floyd |
| Best Hard Rock Performance: Black Hole Sun – Soundgarden |
| Best Metal Performance: Spoonman – Soundgarden |
| Best Alternative Music Performance: Dookie, Green Day |
| Best Rhythm and Blues: Album II, Boyz II Men (Motown) |
| Best Rhythm and Blues Song: I’ll Make Love to You – Babyface, songwriter |
| Best Rhythm and Blues Vocal Performance, Male: When Can I See You – Babyface |
| Best Rhythm and Blues Vocal Performance, Female: Breathe Again – Toni Braxton |
| Best Rhythm and Blues Performance By a Duo or Group With Vocal: I’ll Make Love to You – Boyz II Men |
| Best Rap Solo Performance: U.N.I.T.Y. – Queen Latifah |
| Best Rap Performance By a Duo or Group: None of Your Business – Salt-N-Pepa |
| Best Jazz Vocal Performance: Mystery Lady (Songs of Billie Holiday), Etta James |
| Best Jazz Instrumental Solo: Prelude to a Kiss – Benny Carpenter |
| Best Jazz Instrumental Performance, Individual or Group: A Tribute to Miles, Ron Carter, Herbie Hancock, Wallace Roney, Wayne Shorter and Tony Williams |
| Best Contemporary Jazz Performance: Out of the Loop – Brecker Brothers |
| Best Large Jazz Ensemble Performance: Journey – McCoy Tyner Big Band |
| Best Latin Jazz Performance: Danzon – Arturo Sandoval |
| Best Country Album: Stones in the Road, Mary Chapin Carpenter (Columbia) |
| Best Country Song: I Swear – Gary Baker and Frank J. Meyers, songwriters |
| Best Country Vocal Performance, Male: When Love Finds You – Vince Gill |
| Best Country Vocal Performance, Female: Shut Up and Kiss Me – Mary Chapin Carpenter |
| Best Country Performance By a Duo or Group With Vocal: Blues for Dixie – Asleep at the Wheel with Lyle Lovett |
| Best Country Vocal Collaboration: I Fall to Pieces – Aaron Neville and Trisha Yearwood |
| Best County Instrumental Performance: Young Thing – Chet Atkins |
| Best Bluegrass Album: The Great Dobro Sessions, various artists (Sugar Hill) |
| Best Traditional Soul Gospel Album: Songs of the Church – Live in Memphis, Albertina Walker (Benson) |
| Best Contemporary Soul Gospel Album: Join the Band, Take 6 (Reprise/Warner Alliance) |
| Best Pop/Contemporary Gospel Album: Mercy, Andrae Crouch (Qwest/Warner Alliance) |
| Best Southern Gospel, Country Gospel or Bluegrass Gospel Album: I Know Who Holds Tomorrow, Alison Krauss and the Cox Family (Rounder) |
| Best Gospel Album By a Choir or Chorus (tie): Through God’s Eyes, Thompson Community Singers; Rev. Milton Brunson, choir director (Word) Live in Atlanta at Morehouse College, Love Fellowship Crusade Choir; Hezekiah Walker, choir director (Benson) |
| Best Latin Pop Performance: Segundo Romance – Luis Miguel |
| Best Tropical Latin Performance: Master Sessions Volume 1, Chachao |
| Best Mexican-American Performance: Recuerdo a Javier Solis – Vikki Carr |
| Best Traditional Blues Album: From the Cradle, Eric Clapton (Reprise) |
| Best Contemporary Blues Album: Father Father, Pops Staples (Pointblank) |
| Best Traditional Folk Album: World Gone Wrong, Bob Dylan (Columbia) |
| Best Contemporary Folk Album: American Recordings, Johnny Cash (American Recordings) |
| Best Reggae Album: Crucial! Roots Classics, Bunny Wailer (Shanachie) |
| Best New Age Album: Prayer for the Wild Things, Paul Winter (Living Music Records) |
| Best World Music Album: Talking Timbuktu, Ali Farka Toure with Ry Cooder (Hannibal) |
| Best Polka Album: Music and Friends, Walter Ostanek Band (WRS) |
| Best Instrumental Arrangement: Three Cowboy Songs – Dave Grusin, arranger |
| Best Instrumental Arrangement With Accompanying Vocal(s): Circle of Life – Lebo Morake and Hans Zimmer, arrangers |
| Best Instrumental Composition: African Skies – Michael Brecker, composer |
| Best Musical Show Album: Passion, Original Broadway cast (Angel) |
| Best Instrumental Composition Written for a Motion Picture or for Television: Schindler’s List, John Williams, composer |
| Best Song Written Specifically for a Motion Picture or for Television: Streets of Philadelphia (From Philadelphia), Bruce Springsteen, songwriter |
| Best Classical Contemporary Composition: Cello Concerto – Stephen Albert, composer |
| Best Classical Album: Bartok, Concerto for Orchestra; Four Orchestral Pieces, Op. 12, Pierre Boulez conducting Chicago Symphony Orchestra (Deutsche Grammophon) |
| Best Chamber Music Performance: Beethoven and Mozart, Quintets, Daniel Barenboim, piano; Dale Clevenger, horn; Larry Combs, clarinet; Daniele Damiano, bassoon; Hansjorg Schellenberger, oboe |
| Best Classical Performance, Instrumental Soloist(s) (With Orchestra): The New York Album (Works of Albert, Bartok and Bloch), David Zinman conducting Baltimore Symphony Orchestra; Yo-Yo Ma, cellist and alto violinist |
| Best Classical Performance, Instrumental Soloist(s) (Without Orchestra): Haydn, Piano Sonatas nos. 32, 47, 53 and 59, Emmanuel Ax, pianist |
| Best Orchestral Performance: Bartok, Concerto for Orchestra; Four Orchestral Pieces, Op. 12, Pierre Boulez, conducting Chicago Symphony Orchestra |
| Best Opera Recording: Floyd, Susannah, Kent Nagano conducting Orchestra and Chorus of Opera de Lyon; solos: Studer, Hadley, Ramey and Chester (Virgin Classics) |
| Best Performance of a Choral: Work Berlioz, Messe Solennelle, John Eliot Gardiner, choir director, the Monteverdi Choir, Orchestra Revolutionnaire et Romantique and various artists |
| Best Classical Vocal Performance: The Impatient Lover (Italian Songs by Beethoven, Schubert, Mozart, etc.), Cecilia Bartoli, mezzo-soprano; Andras Schiff, piano |
| Best Spoken Comedy Album: Live From Hell, Sam Kinison (Priority Records) |
| Best Spoken Word or Non-Musical Album: Get in the Van: On the Road With Black Flag, Henry Rollins (Time Warner Audiobooks) |
| Best Musical Album for Children: The Lion King – Original Motion Picture Soundtrack, various artists (Walt Disney Records) |
| Best Spoken Word Album for Children: The Lion King Read-Along, original cast (Walt Disney Records) |
| Best Recording Package: Tribute to the Music of Bob Willis and the Texas Playboys, Buddy Jackson, art director (Liberty) |
| Best Recording Package – Boxed: The Complete Ella Fitzgerald Song Books, Chris Thompson, art director (Verve) |
| Best Album Notes: Louis Armstrong: Portrait of the Artist as a Young Man, 1923?1934, Dan Morgenstern and Loren Schoenberg, album notes writers (Columbia/Legacy/Smithsonian) |
| Best Historical Album: The Complete Ella Fitzgerald Song Books on Verve (Verve) |
| Best Music Video, Short Form: Love Is Strong – The Rolling Stones |
| Best Music Video, Long Form: Zoo TV: Live From Sydney, U2 |
| Producer of the Year (Non-Classical): Don Was |
| Classical Producer of the Year: Andrew Cornall |
