
1989 Grammy Award Winners |
1989 Grammy Award Winners |
1989 Grammy Winners |
Trivia
|
| Record of the Year: Don’t Worry Be Happy – Bobby McFerrin |
| Album of the Year: Faith, George Michael (Columbia/CBS) |
| Song of the Year: Don’t Worry Be Happy – Bobby McFerrin, songwriter |
| Best New Artist: Tracy Chapman |
| Best Pop Vocal Performance, Male: Don’t Worry Be Happy – Bobby McFerrin |
| Best Pop Vocal Performance, Female: Fast Car – Tracy Chapman |
| Best Pop Vocal Performance By a Duo or Group With Vocal: Brasil, Manhattan Transfer |
| Best Pop Instrumental Performance (Orchestra, Group or Soloist): Close-up, David Sanborn |
| Best Rock Vocal Performance, Male: Simply Irresistible – Robert Palmer |
| Best Rock Vocal Performance, Female: Tina Live in Europe, Tina Turner |
| Best Rock Instrumental Performance By a Duo or Group With Vocal: Desire – U2 |
| Best Rock Instrumental Performance (Orchestra, Group or Soloist): Blues for Salvador, Carlos Santana |
| Best Hard Rock/Metal Performance, Vocal or Instrumental: Crest of a Knave, Jethro Tull |
| Best Rhythm and Blues Song: Giving You the Best That I Got – Anita Baker, Skip Scarborough and Randy Holland, songwriters |
| Best Rhythm and Blues Vocal Performance, Male: Introducing the Hardline According to Terence Trent D’Arby, Terence Trent D’Arby |
| Best Rhythm and Blues Vocal Performance, Female: Giving You the Best That I Got – Anita Baker |
| Best Rhythm and Blues Performance By a Duo or Group With Vocal: Love Overboard – Gladys Knight and the Pips |
| Best Rhythm and Blues Instrumental Performance (Orchestra, Group or Soloist): Light Years – Chick Corea |
| Best Rap Performance: Parents Just Don’t Understand – D.J. Jazzy Jeff and the Fresh Prince |
| Best Jazz Vocal Performance, Male: Brothers, Bobby McFerrin |
| Best Jazz Vocal Performance, Female: Look What I Got!, Betty Carter |
| Best Jazz Vocal Performance, Duo or Group: Spread Love – Take 6 |
| Best Jazz Instrumental Performance, Soloist on a Jazz Recording: Don’t Try This at Home, Michael Brecker |
| Best Jazz Instrumental Performance, Group: Blues for Coltrane, A Tribute to John Coltrane, McCoy Tyner, Pharoah Sanders, David Murray, Cecil McBee and Roy Haynes |
| Best Jazz Instrumental Performance, Big Band: Bud and Bird, Gil Evans and the Monday Night Orchestra |
| Best Jazz Fusion Performance: Politics, Yellowjackets |
| Best Country Song: Hold Me – K.T. Oslin, songwriter |
| Best Country Vocal Performance, Male: Old 8 × 10, Randy Travis |
| Best Country Vocal Performance, Female: Hold Me – K.T. Oslin |
| Best Country Performance By a Duo or Group With Vocal: Give a Little Love – Judds |
| Best Country Vocal Collaboration: Crying – Roy Orbison and k.d. lang |
| Best Country Instrumental Performance (Orchestra, Group or Soloists): Sugarfoot Rag – Asleep at the Wheel |
| Best Bluegrass Recording (Vocal or Instrumental): Southern Flavor, Bill Monroe (MCA) |
| Best Gospel Performance, Male: Christmas, Larnelle Harris |
| Best Gospel Performance, Female: Lead Me On, Amy Grant |
| Best Gospel Performance By a Duo or Group, Choir or Chorus: The Winans Live at Carnegie Hall, Winans |
| Best Soul Gospel Performance, Male: Abundant Life – BeBe Winans |
| Best Soul Gospel Performance, Female: One Lord, One Faith, One Baptism, Aretha Franklin |
| Best Soul Gospel Performance By a Duo or Group, Choir or Chorus: Take Six, Take 6 |
| Best Latin Pop Performance: Roberto Carlos, Roberto Carlos |
| Best Tropical Latin Performance: Antecedente, Rubén Blades |
| Best Mexican/American Performance: Canciones de Mi Padre, Linda Ronstadt |
| Best Traditional Blues Recording: Hidden Charms, Willie Dixon (Bug/Capitol) |
| Best Contemporary Blues Recording: Don’t Be Afraid of the Dark – Robert Cray Band (Mercury) |
| Best Traditional Folk Recording: Folkways: A Vision Shared?A Tribute to Woody Guthrie and Leadbelly, various artists (Columbia/CBS) |
| Best Contemporary Folk Recording: Tracy Chapman, Tracy Chapman (Elektra) |
| Best Reggae Recording: Conscious Party, Ziggy Marley and the Melody Makers (Virgin) |
| Best New Age Performance: Folksongs for a Nuclear Village, Shadowfax |
| Best Polka Recording: Born to Polka, Jimmy Sturr and His Orchestra (Starr) |
| Best Arrangement on an Instrumental: Memos From Paradise – Roger Kellaway, arranger |
| Best Instrumental Arrangement Accompanying Vocal(s): No One Is Alone – Jonathan Tunick, arranger |
| Best Instrumental Composition: The Theme From L.A. Law – Mike Post, composer |
| Best Musical Cast Show Album: Into the Woods, Stephen Sondheim, composer and lyricist (RCA) |
| Best Album of Original Instrumental Background Score Written for a Motion Picture or Television: The Last Emperor, Ryuichi Sakamoto, David Byrne and Cong Su, composers (Virgin) |
| Best Song Written Specifically for a Motion Picture or Television: Two Hearts (From the motion picture Buster), Phil Collins and Lamont Dozier, songwriters (Atlantic) |
| Best Contemporary Composition: Nixon in China, John Adams, composer |
| Best Classical Album: Verdi, Requiem and Operatic Choruses, Robert Shaw conducting Atlanta Symphony Orchestra and Chorus (Telarc) |
| Best Orchestral Recording: Rorem, String Symphony; Sunday Morning, Eagles; Robert Shaw conducting Atlanta Symphony Orchestra: String Symphony, Louis Lane conducting Atlanta Symphony Orchestra: Sunday Morning and Eagles (New World) |
| Best Chamber Music Performance (Instrumental or Vocal): Bartók, Sonata for Two Pianos and Percussion; Brahms, Variation on a Theme by Joseph Haydn for Two Pianos, Murray Perahia and Sir Georg Solti, pianos; David Corkhill and Evelyn Glennie, percussion |
| Best Classical Performance, Instrumental Soloist(s) (With Orchestra): Mozart, Piano Concerto No. 23 in A, Vladimir Horowitz, piano; Giulini conducting LaScala Opera Orchestra |
| Best Classical Performance, Instrumental Soloist(s) (Without Orchestra): Albéniz, Iberia; Navarra; Suite Espagnola, Alicia de Larrocha |
| Best Opera Recording: Wagner, Lohengrin, Sir Georg Solti conducting Vienna State Opera Choir and Vienna Philharmonic; solos: Domingo, Norman, Randova, Nimsgern, Sotin and Fischer-Dieskau (London) |
| Best Choral Performance (Other Than Opera): Verdi, Requiem and Operatic Choruses, Robert Shaw conducting Atlanta Symphony Chorus and Orchestra |
| Best Classical Vocal Soloist Performance: Luciano Pavarotti in Concert, Luciano Pavarotti |
| Best Comedy Recording: Good Morning Vietnam, Robin Williams (A&M) |
| Best Spoken Word or Non-Musical Recording: Speech by Rev. Jesse Jackson (July 27) – Rev. Jesse Jackson (Arista) |
| Best Recording for Children: Pecos Bill, Robin Williams, narrator; Ry Cooder, music (Windham Hill) |
| Best Album Package: Tired of Runnin’, Bill Johnson, art director (Columbia/CBS) |
| Best Album Notes: Crossroads, Anthony DeCurtis, annotator (Polydor) |
| Best Historical Album: Crossroads, Eric Clapton (Polydor) |
| Best Performance Music Video: Where the Streets Have No Name – U2 |
| Best Concept Music Video: Fat – Weird Al Yankovic |
| Producer of the Year (Non-Classical): Neil Dorfsman |
| Classical Producer of the Year: Robert Woods |








