
1982 Grammy Award Winners |
1982 Grammy Trivia and Noteworthy Moments
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1982 Grammy Winners |
| Album of the Year: Double Fantasy, John Lennon and Yoko Ono (Warner Bros/Geffen) |
| Song of the Year: Bette Davis Eyes – Donna Weiss and Jackie DeShannon, songwriters |
| Best New Artist: Sheena Easton |
| Best Pop Vocal Performance, Male: Breakin Away, Al Jarreau |
| Best Pop Vocal Performance, Female: Lena Horne: The Lady and Her Music Live On Broadway, Lena Horne |
| Best Pop Vocal Performance By a Duo or Group With Vocal: Boy From New York City – Manhattan Transfer |
| Best Pop Instrumental Performance: The Theme From Hill Street Blues – Mike Post featuring Larry Carlton |
| Best Rock Vocal Performance, Male: Jessie’s Girl – Rick Springfield |
| Best Rock Vocal Performance, Female: Fire and Ice – Pat Benatar |
| Best Rock Performance By a Duo or Group With Vocal: Don’t Stand So Close to Me – Police |
| Best Rock Instrumental Performance: Behind My Camel – Police |
| Best Rhythm and Blues Song: Just the Two of Us – Bill Withers, William Salter and Ralph MacDonald, songwriters |
| Best Rhythm and Blues Performance, Male: One Hundred Ways – James Ingram |
| Best Rhythm and Blues Vocal Performance, Female: Hold On I’m Comin’ – Aretha Franklin |
| Best Rhythm and Blues Performance By a Duo or Group With Vocal: The Dude, Quincy Jones |
| Best Rhythm and Blues Instrumental Performance: All I Need Is You – David Sanborn |
| Best Jazz Vocal Performance, Male: Blue Rondo a la Turk – Al Jarreau |
| Best Jazz Vocal Performance, Female: Digital III at Montreux, Ella Fitzgerald |
| Best Jazz Vocal Performance, Duo or Group: Until I Met You (Corner Pocket), Manhattan Transfer |
| Best Jazz Instrumental Performance, Soloist: Bye Bye Blackbird, John Coltrane |
| Best Jazz Instrumental Performance, Group: Chick Corea and Gary Burton in Concert, Zurich, October 28, 1979, Chick Corea and Gary Burton |
| Best Jazz Instrumental Performance, Big Band: Walk on the Water, Gerry Mulligan and His Orchestra |
| Best Jazz Fusion Performance, Vocal or Instrumental: Winelight, Grover Washington, Jr. |
| Best Country Song: 9 to 5 – Dolly Parton, songwriter |
| Best Country Vocal Performance, Male: (There’s) No Gettin’ Over Me – Ronnie Milsap |
| Best Country Vocal Performance, Female: 9 to 5 – Dolly Parton |
| Best Country Performance By a Duo or Group With Vocal: Elvira – Oak Ridge Boys |
| Best Country Instrumental Performance, Country: After All These Years, Chet Atkins |
| Best Gospel Performance, Contemporary or Inspirational: Priority, Imperials |
| Best Gospel Performance, Traditional: The Masters V, J.D. Sumner, James Blackwood, Hovie Lister, Rosie Rozell and Jake Hess |
| Best Soul Gospel Performance, Contemporary: Don’t Give Up, Andrae Crouch |
| Best Soul Gospel Performance, Traditional: The Lord Will Make a Way, Al Green |
| Best Latin Recording: Guajira Pa la Jeva – Clare Fischer (Pausa) |
| Best Inspirational Performance: Amazing Grace, B.J. Thomas |
| Best Ethnic or Traditional Recording: There Must Be a Better World Somewhere, B.B. King (MCA) |
| Best Arrangement of an Instrumental Recording: Velas – Quincy Jones and Johnny Mandel, arrangers |
| Best Instrumental Arrangement Accompanying Vocal(s): Ai No Corrida – Quincy Jones and Jerry Hey, arrangers |
| Best Vocal Arrangement for Two or More Voices: A Nightingale Sang in Berkeley Square – Gene Puerling, arranger |
| Best Instrumental Composition: The Theme From Hill Street Blues – Mike Post, composer |
| Best Cast Show Album: Lena Horne: The Lady and Her Music Live on Broadway, various composers and lyricists (Qwest/Warner Bros.) |
| Best Album of Original Score Written for a Motion Picture or a Television Special: Raiders of the Lost Ark, John Williams, composer (Columbia/CBS) |
| Best Classical Album: Mahler, Symphony No. 2 in C Minor, Sir Georg Solti conducting Chicago Symphony Orchestra and Chorus (London) |
| Best Classical Orchestral Recording: Mahler, Symphony No. 2 in C Minor, Sir Georg Solti conducting Chicago Symphony Orchestra and Chorus (London) |
| Best Chamber Music Performance: Tchaikovsky, Piano Trio in A Minor, Itzhak Perlman, Lynn Harrell and Vladimir Ashkenazy |
| Best Classical Performance, Instrumental Soloist(s) (With Orchestra): Isaac Stern 60th Anniversary Celebration, Isaac Stern, Itzhak Perlman and Pinchas Zukerman; Zubin Mehta conducting New York Philharmonic Orchestra |
| Best Classical Performance, Instrumental Soloist(s) (Without Orchestra): The Horowitz Concerts 1979/80, Vladimir Horowitz |
| Best Opera Recording: Janácek, From the House of the Dead, Sir Charles Mackerras conducting Vienna Philharmonic; solos: Zahradnicek, Zitek and Zidek (London) |
| Best Choral Performance (Other Than Opera): Haydn, The Creation, Neville Marriner conducting Chorus of Academy of St. Martin-in-the-Fields |
| Best Classical Vocal Soloist Performance: Live From Lincoln Center, Sutherland-Horne-Pavarotti, Joan Sutherland, Marilyn Horne and Luciano Pavarotti |
| Best Comedy Recording: Rev. Du Rite, Richard Pryor (Laff) |
| Best Spoken Word, Documentary or Drama Recording: Donovan’s Brain, Orson Welles (Radiola) |
| Best Recording for Children: Sesame Country, Muppets, Glen Campbell, Crystal Gayle, Loretta Lynn, Tanya Tucker; Jim Henson (Sesame Street) |
| Best Album Package: Tatoo You, Peter Corriston, art director (Rolling Stones/Atlantic) |
| Best Album Notes: Erroll Garner, Master of the Keyboard, Dan Morgenstern, annotator (Book-of-the-Month Records) |
| Best Historical Album: Hoagy Carmichael: From Star Dust to Ole Buttermilk Sky (Book-of-the-Month Records) |
| Video of the Year: Michael Nesmith in Elephant Parts – Michael Nesmith |
| Producer of the Year (Non-Classical): Quincy Jones |
| Classical Producer of the Year: James Mallinson |








