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1963 Grammy Award Winners |
Winners Announced: May 15, 1963 Musical Highlights and Achievements
Trivia
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| Record of the Year: I Left My Heart in San Francisco, Tony Bennett |
| Album of the Year: The First Family, Vaughn Meader (Cadence) |
| Song of the Year: What Kind of Fool Am I, Leslie Bricusse and Anthony Newley, songwriters |
| Best New Artist of 1962: Robert Goulet |
| Best Solo Vocal Performance, Male: I Left My Heart in San Francisco, Tony Bennett |
| Best Solo Vocal Performance, Female: Ella Swings Brightly With Nelson Riddle, Ella Fitzgerald |
| Best Performance By a Vocal Group: If I Had a Hammer, Peter, Paul and Mary |
| Best Performance By a Chorus: Presenting the New Christy Minstrels, New Christy Minstrels |
| Best Rock and Roll Recording: Alley Cat, Bent Fabric (Atco) |
| Best Rhythm and Blues Recording: I Can’t Stop Loving You, Ray Charles (ABC) |
| Best Jazz Performance, Soloist or Small Group (Instrumental): Desafinado, Stan Getz |
| Best Jazz Performance, Large Group (Instrumental): Adventures in Jazz, Stan Kenton |
| Best Original Jazz Composition: Cast Your Fate to the Winds, Vince Guaraldi, composer |
| Best Country and Western Recording: Funny Way of Laughin’, Burl Ives (Decca) |
| Best Gospel or Other Religious Recording: Great Songs of Love and Faith, Mahalia Jackson (Columbia) |
| Best Folk Recording: If I Had a Hammer, Peter, Paul and Mary (Warner Bros.) |
| Best Performance By an Orchestra for Dancing: Fly Me to the Moon Bossa Nova, Joe Harnell |
| Best Performance By an Orchestra or Instrumentalist With Orchestra, Not for Jazz or Dancing: The Colorful Peter Nero, Peter Nero |
| Best Instrumental Arrangement: Baby Elephant Walk, Henry Mancini, arranger |
| Best Background Arrangement: I Left My Heart in San Francisco, Marty Manning, arranger |
| Best Instrumental Theme: A Taste of Honey, Bobby Scott and Ric Marlow, composers |
| Best Original Cast Show Album: No Strings, Richard Rodgers, composer (Capitol) |
| Album of the Year, Classical: Columbia Records Presents Vladimir Horowitz, Vladimir Horowitz (Columbia) |
| Best Classical Performance, Orchestra: Stravinsky, The Firebird Ballet, Igor Stravinsky conducting Columbia Symphony |
| Best Classical Performance, Chamber Music: The Heifetz-Piatigorsky Concerts With Primrose, Pennario and Guests, Jascha Heifetz, Gregor Piatigorsky and William Primrose |
| Best Classical Performance, Instrumental Soloist(s) (With Orchestra): Stravinsky, Concerto in D for Violin, Isaac Stern; Igor Stravinsky conducting Columbia Symphony |
| Best Classical Performance, Instrumental Soloist or Duo (Without Orchestra): Columbia Records Presents Vladimir Horowitz, Vladimir Horowitz |
| Best Opera Recording: Verdi, Aïda, Georg Solti conducting Rome Opera House Orchestra and Chorus; solos: Price, Vickers, Gorr, Merrill and Tozzi (RCA) |
| Best Classical Performance, Choral: Bach, St. Matthew Passion, Philharmonia Choir, Wilhelm Pitz, choral director; Otto Klemperer conducting Philharmonic Orchestra |
| Best Classical Performance, Vocal Soloist (With or Without Orchestra): Wagner, Götterdämerung Brunnhilde’s Immolation Scene; Wesendonck, Songs, Eileen Farrell; Leonard Bernstein conducting New York Philharmonic |
| Best Classical Composition By Contemporary Composer: The Flood, Igor Stravinsky, composer |
| Best Comedy Performance: The First Family, Vaughn Meader |
| Best Documentary or Spoken Word Recording (Other Than Comedy): The Story-Teller: A Session With Charles Laughton, Charles Laughton (Capitol) |
| Best Recording for Children: Saint-Saëns, Carnival of the Animals; Britten, Young Person’s Guide to the Orchestra, Leonard Bernstein (Columbia) |
| Best Album Cover: Lena… Lovely and Alive, Robert Jones, art director (RCA) |
| Best Album Cover, Classical: The Intimate Bach, Marvin Schwartz, art director (Capitol) |








