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1969 Grammy Award Winners |
Winners Announced: March 12, 1969 Musical Highlights and Achievements
Trivia and Noteworthy Moments
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1969 Grammy Winners |
| Record of the Year: Mrs. Robinson – Simon and Garfunkel |
| Album of the Year: By the Time I Get to Phoenix, Glen Campbell (Capitol) |
| Song of the Year: Little Green Apples – Bobby Russell, songwriter |
| Best New Artist of 1968: José Feliciano |
| Best Contemporary Pop Vocal Performance, Male: Light My Fire – José Feliciano |
| Best Contemporary Pop Vocal Performance, Female: Do You Know the Way to San Jose – Dionne Warwick |
| Best Contemporary Pop Vocal Performance, Duo or Group: Mrs. Robinson – Simon and Garfunkel |
| Best Contemporary Pop Performance, Chorus: Mission Impossible/Norwegian Wood (medley), Alan Copeland Singers |
| Best Contemporary Pop Performance, Instrumental: Classical Gas – Mason Williams |
| Best Rhythm and Blues Song: (Sittin’ On) The Dock of the Bay – Otis Redding and Steve Cropper, songwriters |
| Best Rhythm and Blues Vocal Performance, Male: (Sittin’ On) The Dock of the Bay – Otis Redding |
| Best Rhythm and Blues Vocal Performance, Female: Chain of Fools – Aretha Franklin |
| Best Rhythm and Blues Performance By a Duo or Group, Vocal or Instrumental: Cloud Nine – The Temptations |
| Best Instrumental Jazz Performance, Small Group or Soloist With Small Group: Bill Evans at the Montreux Jazz Festival, Bill Evans Trio |
| Best Instrumental Jazz Performance, Large Group or Soloist With Large Group: And His Mother Called Him Bill – Duke Ellington |
| Best Country Song: Little Green Apples – Bobby Russell, songwriter |
| Best Country Vocal Performance, Male: Folsom Prison Blues – Johnny Cash |
| Best Country Vocal Performance, Female: Harper Valley P.T.A. – Jeannie C. Riley |
| Best Country Performance, Duo or Group Vocal or Instrumental: Foggy Mountain Breakdown – Flatt and Scruggs |
| Best Sacred Performance: Beautiful Isle of Somewhere – Jack Hess |
| Best Gospel Performance: The Happy Gospel of the Happy Goodmans, Happy Goodman Family |
| Best Soul Gospel Performance: The Soul of Me – Dottie Rambo |
| Best Folk Performance: Both Sides Now – Judy Collins |
| Best Instrumental Arrangement: Classical Gas – Mike Post, arranger |
| Best Arrangement Accompanying Vocalist(s): MacArthur Park – Jimmy L. Webb, arranger |
| Best Instrumental Theme: Classical Gas – Mason Williams, composer |
| Best Score From an Original Cast Show Album: Hair, Gerome Ragni, James Rado and Galt MacDermott, composers (RCA) |
| Best Original Score Written for a Motion Picture or a Television Special: The Graduate, Paul Simon and Dave Grusin, composers |
| Best Classical Performance, Orchestra: Boulez Conducts Debussy, Pierre Boulez conducting New Philharmonia Orchestra |
| Best Chamber Music Performance: Gabrieli, Canzoni for Brass, Winds, Strings and Organ, E. Power Biggs with Edward Tarr Ensemble and Gabrieli Consort; Vittorio Negri, conductor |
| Best Classical Performance, Instrumental Soloist(s) (With or Without Orchestra): Horowitz on Television, Vladimir Horowitz |
| Best Opera Recording: Mozart, Cosi fan tutte, Erich Leinsdorf conducting New Philharmonia Orchestra and Ambrosian Opera Chorus; solos: Price, Raskin, Troyanos, Milnes, Shirley and Flagello (RCA) |
| Best Choral Performance (Other Than Opera): The Glory of Gabrieli, Vittorio Negri conducting Gregg Smith Singers and Texas Boys Choir; George Bragg directing Edward Tarr Ensemble with E. Power Biggs |
| Best Classical Vocal Soloist Performance: Rossini Rarities, Montserrat Caballe; Carlo Felice Cillario conducting RCA Italiana Opera Orchestra and Chorus |
| Best Comedy Recording: To Russell, My Brother, Whom I Slept With, Bill Cosby (Warner Bros.) |
| Best Spoken Word Recording: Lonesome Cities, Rod McKuen (Warner Bros.-Seven Arts) |
| Best Album Cover: Underground, John Berg and Richard Mantel, art directors (Columbia) |
| Best Album Notes: Johnny Cash at Folsom Prison, Johnny Cash, annotator |








